Repercussion Theatre 2019 Shakespeare-in-the-Park Tour
Measure for Measure
Directed by Amanda Kellock
“Some rise by sin, and some by virtue fall.”
– Escalus, Measure for Measure
Set Design Amy KEITH ▪ Costume Design Diana URIBE ▪ Lighting Design/Tour Manager Adam WALTERS ▪ Sound Design Evan STEPANIAN ▪ Movement Coach Holly GRECO ▪ Shakespeare Coach Bryan DOUBT ▪ Assistant Director Rebecca GIBIAN ▪ Stage Manager Danielle LAURIN
Trevor BARRETTE ▪ Samantha BITONTI Alex GOLDRICH ▪ Colin HEATH ▪ Matthew KABWE ▪ Qianna MacGILCHRIST ▪ Anton MAY ▪ Gabriella PETROV ▪ Anne-Marie SAHEB ▪ Nadia VERRUCCI
Montreal, May 30, 2019 – For the first time in its 31-year history, Repercussion Theatre is presenting William Shakespeare’s Measure for Measure for its summer tour of Shakespeare-in-the-Park, visiting Montreal and surrounding area parks from July 11 to August 11, 2019. Also a first is that the text which, for the past 3 years has been translated into French and accessible on smartphones for Francophone fans of the Bard, is now available in English as well, enabling Anglophone audiences to follow the artful language, courtesy of Plank Design.
“O, what may man within him hide,
Though Angel on the outward side…”
– Duke Vincentio, Measure for Measure
Measure for Measure is one of Shakespeare’s later plays, written at the start of the reign of King James, and around the same year that said monarch began work on his version of the Bible. In the play, the Duke of Vienna, concerned by his city’s moral depravity, puts his sternest deputy, Lord Angelo, in charge. Angelo immediately launches a massive cleanse of the Renaissance “sin city” while the Duke roams the streets in disguise, to observe his social experiment. Lord Angelo’s inflexible approach to law enforcement condemns Juliet’s fiancé, Claudio, to death for the crime of impregnating her out of wedlock, despite their impending marriage. When Claudio’s sister, the virtuous and chaste Isabella, begs Lord Angelo to spare her brother’s life, her beauty and his newly granted power corrupt his judicial impartiality, and he makes an impossible proposal to a woman about to become a nun. In the end, everyone escapes mostly unscathed, while the audience is left to ponder whether justice has truly been served.
“As long as scholars could not decide whether this play was a comedy or not, it never got played.
In fact, this ambiguity makes it one of the most revealing of Shakespeare’s works.”
– Peter Brooks
“Shakespeare’s stories are multifaceted, reflecting the complexities of human behavior and relationships; I think it’s one of the reasons his plays still ring true so many centuries after his death,” said Amanda Kellock, Repercussion Theatre’s Artistic Director and the director of this production. “Exploring the ways in which his stories still resonate is thrilling to me; it allows us to look at our own time with fresh eyes. Conversely, discovering how many issues have endured all this time can be a bit discouraging, but looking away never solved a problem. This play focuses particularly on the hypocrisy of those in authority; how the laws they create can ignore human frailty and are not always applied equally. It shows a powerful man threatening a woman, confident that he will not face any consequences because of his social standing and reputation, an all-too-familiar contemporary situation. It’s no surprise this play was quoted frequently during the Kavanaugh/Blasey-Ford trial last year in the U.S.”
“Measure for Measure is not done often so I’m thrilled to introduce it to Shakespeare-in-the-Park fans,” continued Kellock. Repercussion Theatre alternates its programming each year between comedy and tragedy. Following last year’s Romeo and Juliet, and given the current global state of affairs, Kellock found Measure for Measure a fitting choice this summer, rich with the kind of truthful humour that makes audiences cringe as they laugh. “Although,” she added, “there are plenty of lighter moments, especially in the form of Elbow, the adorably, verging on terrifyingly, inept policeman!”
MOBILE SHAKESPEARE: For the fourth consecutive year, all Montrealers will be able to enjoy every nuance of the Bard’s language thanks to Plank Design, and its unique application that enables Francophone and Anglophone audiences to follow the text by reading sub-titles on their smartphones.
8 – 12-year-olds Wed. July 17th Westmount Park
13 – 17-year-olds Wed. July 17th Westmount Park
11 – 17-year-olds Thurs. July 25th Rembrandt Park
10 – 15-year-olds Sat. August 3rd Jeanne-Mance Park
11 – 17-year-olds Thurs. August 8th Pine Beach Park
8 – 12-year-olds Sat. August 10th Westmount Park
13 – 17-year-olds Sat. August 10th Westmount Park
RAIN CANCELLATIONS: The tour is designed to be performed outdoors; however, there are alternate indoor locations in walking distance of the respective park at most locations. A show is canceled ONLY in case of heavy rain and/or thunderstorms. Updates will be available by website, social media channels, and phone. To stay abreast of last-minute changes in the performance schedule, follow Repercussion Theatre on Facebook, Twitter, or Instagram, or call 514-931-2644.
SHOW SCHEDULE – All shows begin at 7 pm
ABOUT REPERCUSSION THEATRE
The mission of Repercussion Theatre is to deliver professional, classically based, visually dynamic theatre that is accessible to all, regardless of income, culture, language, age or education. Repercussion brings the performing arts to people in their communities, reaching new audiences and instilling in them, a lifelong love of theatre. For more information, visit the web site at www.repercussiontheatre.com